Monday, October 10, 2011



Notes From My Tree Journal

This grand group of trees are only about 3 miles from my painting studio. They grow along the edge of a country road. They have great character, including lots of twisty limbs and knots growing on the trunks. The trick to painting masses of trees is to decide who will be the star of the production and gradually lower the drama and detail in the supporting actors. My star is the closest tree in this painting. I gave it lots of light and interesting texture.

Saturday, October 8, 2011

Studying A Tree Trunk

8x10 inches
acrylic on Source Tek panel

Notes From my Tree Journal

This was a great tree to study. It is growing in the woods at Fair Oaks in Evinston. What wonderful character. It has many stories to tell.

With such strong imagery, I found it a challenge to make the background fit without giving it much notice. I would like to do this one again. It was very challenging.

Thursday, October 6, 2011

Playing with my Florida Winter Palette



Notes From My Tree Journal

I did this painting today with the same palette as my painting yesterday. I will try to get a better image to share tomorrow. I am really liking this palette. In today's version of pine trees at Fair Oaks, where I am an Artist in Residence, I used a lemon yellow bias in the trees. Yesterday, I used a yellow ochre bias in the tree painting. That is what I love about this palette. You can push the palette more to the earth color or more to the cool greens, depending on how much lemon or ochre you mix into the greens. Using blue and black as your green mixers give you a lot of room to move from gray greens, to cool intense greens. This is a terrific palette. I think I'll be able to use it for most of the winter this year. One of the things I like about the last couple of painting with this is using the cool gray sky rather than the usual blue.  I have a thing about using odd colors in my skies. I don't mean the ubiquitous pink clouds that so many Florida painters use, I mean the entire sky. I have painted brown skies, yellow, blue, lavender, gray, pink and orange skies as well as red.

Go big or go home!!

Wednesday, October 5, 2011

A nice tree palette for Florida


Notes From My Tree Journal

I did this 9x12 painting today and I really enjoyed it. I had no problems with it which leads me to believe it is my plein air work that I'm having trouble adjusting to.  This was a studio painting, so thank goodness the studio work seems to be going smoothly.

I particularly like this palette for Florida paintings.

Yellow Ochre (Old Holland)
Ultramarine Blue (Golden)
Cadmium Lemon Yellow (Old Holland)
Titanium White (Winsor & Newton)
Ivory Black (Winsor & Newton)
Cadmium Red Light (Old Holland)

This is the palette I most often use and it has a great range without getting out of control.

There are a few colors that I can add as accents here and there at the end of the painting occasionally but this painting only has the above colors:

Red iron Oxide (Old Holland)
Thalo Blue Red Shade (Old Holland)
Cad Yellow Medium (Grumbacher)
Rose (Winsor & Newton)

The first six colors are really good for winter painting too, using a heavier bias of the ocher and less of the cad lemon. 

Tuesday, October 4, 2011

The Struggle


Notes From My Tree Journal


My artist's ego took a beating this week from a couple of sources and I've been having some trouble with my plein air work, so it has not been a good painting week. That's OK. It's not the first time and surely won't be the last. The important issue for me is to have faith in myself regardless of outside rejections and influences.  It is easy to believe you are failing because of set backs. They must be overcome and pushed aside in the quest for excellence as a painter.

This painting was done on location in my yard.  Henry, my French Bulldog joined me by snoozing on the walkway while I worked on the painting.  There is a group of trees I enjoy painting. The two white trunked trees get this way each year, losing their leaves very fast and leaving the white trunks with a few colorful leaves left for spots of color. They are striking!!

Monday, October 3, 2011

A Tribute

A Tribute to the Late Wangari Maathai

From Arbor Day 

"When we plant trees, we plant the seeds of peace and the seeds of hope. We also secure the future for our children."
-- Wangari Maathai

These words are inscribed in the lobby of the Arbor Day Foundation headquarters in Lincoln, Nebraska. They are the profound words of a profound person to whom our world owes so much.
Sadly, Professor Wangari Maathai passed away on September 25th after a brave battle with cancer. She will always hold a special place in history for all that she accomplished.
In 2004, the Arbor Day Foundation honored Wangari Maathai with the prestigious J. Sterling Morton Award to honor her lifelong commitment to tree planting and environmental stewardship. Indeed, her work transcends generations and will continue to touch millions of people for years to come.
We will forever be inspired.

Dr. Wangari Maathai, Nairobi, Kenya, winner of the J. Sterling Morton Award.

The Morton Award is the Foundation's highest individual honor, given for exemplary work at the national or international level. Dr. Maathai was a member of Kenyan Parliament and served as the Deputy Minister for Environment, Natural Resources and Wildlife.
While a member of Kenya's National Council of Women, she created a grass-roots program to work with women's groups planting trees. Known as the Green Belt Movement, these efforts resulted in planting over 20 million trees in Kenya, and served as model for representatives throughout the African continent.
A featured speaker at the United Nations Earth Summit, Dr. Maathai, among her many achievements, was recognized by Time magazine as one of 100 people worldwide making a difference for the environment.
In 2004, she was awarded the Nobel Peace Prize in recognition of her contribution in environmental conservation and human rights.

Sunday, October 2, 2011

Cracks in Tree Trunk


Notes From My Tree Journal

A reader wrote to ask why tree trunks crack. Here is some information on that:

Trunk Cracks and Wood Rot
Marianne C. Ophardt
Washington State University Cooperative Extension
Area Extension Agent

Have you ever seen cracks in tree trunks?  Radial separations of bark and wood are usually referred to as frost cracks.  Almost every reference you’ll look at on tree care blame frost cracks on extremes fluctuations of temperature in the winter.  In fact, most sources blame frost cracks on the phenomenon of “southwest winter injury.”  This type of injury is attributed to the bark and wood of trees warming up on the southwest side on a sunny but cold winter day.  The tissue deacclimates, coming out of its complete winter dormancy.  When the sun goes down and the temperature drops rapidly, the tissues can’t reacclimate quickly enough and the water in the tissue freezes, causing cell damage.  The theory has been that sometimes this tissue damage can result in wood and bark cracks.

For many years bark cracks and trunk splits were attributed only to frost.  It wasn’t until the last twenty years, under the guidance of former U.S. Forestry Service scientist and author, Dr. Alex Shigo, that researchers have realized the real cause of split trunks and bark cracks.  Apparently “frost” cracks start from a wound that may have happened much earlier in the tree’s life.  These wounds are believed to be formed at the death of a root or branch.  This wound can create an internal “crack” that develops as a result of stresses from drying, wind, or temperature extremes.  When other pressures occur, such as the thawing and freezing that occurs in the “southwest winter injury” scenario, the internal cracks develop outward.

While the frost leads to a visible crack and open wound, it’s not the real cause of “frost cracks.”  The real cause of the cracks are the death of major roots at planting time; physical injury to roots from construction or soil compaction; wounds created by flush cut pruning; dead limbs resulting from topping cuts, physical injury to the tree trunk, and poor graft unions.

What is the problem with cracks in the tree wood?  Even though callus forms at the edge of the crack and may appear to close it, the wood will never re-knit together.  It’s not like broken bones on humans.  Once those wood fibers are split, they are split forever.  This weakens the mechanical support of the trunk or limbs involved. 

Which came first the chicken or the egg?  It was thought that trunk cracks developed first and then the decay developed in the center due to the opening created by the cracks.  Shigo discovered that the decay is there before the crack, coming from the dead roots, branches, or wounds which instigated the crack.  Additional fungi and insects may attack the tree as a result of the outward crack, but decay organisms are already present before the outward crack develops.
What can be done about split trunks?  Not much really.  One must realize that most of the wood cells of a tree are dead cells.  As I mentioned, they will not “knit” or grow back together.  In the case of most trunk cracks, the internal wood of the tree is already subject to wood decay from fungi.  The tree may function quite well with little effect from the crack or internal decay, since    the vital functions are carried out in the outer few inches of the tree's circumference.  The real concern is for the tree’s structural integrity.  If wood decay becomes substantial, the tree will become a hazard.

Don’t try to paint or seal the split with any type of compound.  They don’t help and they can aggravate the wound.  The best you can do is clean or smooth the edges of the wound with a sharp knife.  Start at one end of the split, smooth around one side of the wound, going no more than one‑half to one inch back from the split bark.  Stop at the other end and do the same procedure on the opposite side of the split.  This aids in callus development.  Sterilize the knife between cuts by dipping for several minutes in a 1:10, bleach:water solution or a 70 percent alcohol solution.
Occasionally “bleeding” or slimy seepage occurs from cracks and wounds.  This is called wetwood or slimeflux.  It is caused by an infection of the wood by a bacterium.  This bacterium feeds on the sugar in the wood and produces a foul-smelling gas and liquid basically through a fermentation process.  The infection can kill some of the bark cambium and can stunt growth but, usually doesn’t kill the tree.

Not all “cracks” are serious cracks that form in the wood.  Some cracks are simply bark splits and are not likely to be fatal to trees, although they will, in some cases, allow entry of disease organisms which can lead to wood decay.  Most of these bark splits are fairly superficial, forming mainly in the outer bark.  Splits occur vertically along the trunk or main branches.  In many cases, bark splits will often close or callus over completely leaving only a slight ridge in the trunk.
Causes of these splits include various environmental factors, such as rapid growth spurts, drought, fluctuating conditions of excessive and deficient, temperature extremes, southwest winter injury, late fall growth, and sun scald.  Trees that are most susceptible to this type of injury are those with thin bark, such as Kwanzan cherry, maple, and certain fruit trees.  Young trees also seem more prone to bark‑splitting than older, established trees.

So the next time you see a bark split or a crack in the trunk of a tree be aware that the real cause of the problem is not frost.  They are reminders that tree care from the time of planting to pruning all contributes to a tree’s health, now and in the future.