Wednesday, November 7, 2012

Getting Ready for my Tree Workshop I

Left Chart- Trunks and limbs
Right Chart- Canopy

Notes From My Tree Painting Journal

Today I worked on some charts for my workshop on Saturday this week. One of the things we won't have time for is chart making, so I think I will want to hang these charts in the studio for my students to see how I do basic color mixes  for tree paintings. I have a chart book full of charts for mixing landscape paintings but I wanted to simplify a bit, particularly on the greens. I have a seven color palette for the greens and an 8 color palette for limbs and trunks. Of course some of those trunk and limb colors will work for fall and winter trees too. 

Tuesday, November 6, 2012

The Work Begins- Live Oak Hammock- Work in Progress

Live Oak Hammock
40x60 inches
oil on deep gallery wrap canvas

Notes From My Tree Painting Journal

I started this painting today in my painting studio. It is a big one and I'm really enjoying it so much. I'm using oils this time, so it will work perfectly with my one day a week schedule of painting process. I am in my loft studio in Gainesville four days a week, at Fair Oaks for my residency there one day a week. I need to do chores and business stuff on one day a week, so that leaves me one good day in my painting studio in the woods. I will try to sneak out there a few extra hours but will have about 3 hours a week on this painting. 

There is nothing I love more than working on a big tree painting. Live Oaks are just so grand to paint. I love the big curved limbs and the moss draped canopy. I'm suing the following palette for this painting.

French ultramarine blue
ivory black
yellow ochre
trans red iron oxide
cad lemon yellow
cad red light
thalo blue red shade
Naples yellow
cad orange

I love the way small limbs curve out below the canopy. Often cattle will chew them off but these are intact. This is the Florida I love so much. Fields of these huge trees with dead trunks here and there and sometimes tall Cabbage palms. The Florida I have roamed through most of my life.

I'll show you the stages through completion.

Saturday, October 27, 2012

My Bird island Tree Painting Adventure


Notes From My Tree Journal

I've been on the road for most of October, doing two paint outs. One was at Bird Island one of my two favorite painting places. It is a privately owned island that I don't often get to go to. I do have a residency scheduled there in April of 2013 for my Artist in Residence Project. When I was there a couple of weeks ago for three days, I discovered this sweet little Red Cedar Tree. The light was wonderful on it both behind and in front, so I enjoyed an hour of painting to study it. I can't remember when I have enjoyed a painting session more. I was able to get about 50 reference photos to sort through. I should be able to get some very nice paintings from the trip in studio. This little plein air painting will be a study note for me. I bought two very large canvases with tree paintings in mind for them when I get off the road for November and December.

Friday, September 28, 2012

Painting Masses of Trees



Notes From My Tree Painting Journal

Though I paint a lot of single trees, I also love to paint masses of trees. More difficult to me. Massed trees behave differently. They tend to fight for space. Here in Florida I notice that there is a dark rich value to the lower areas of massed trees. The tops fight for the sun and late in the day the light bounces around the edges and the tops creating bands of ochre and orange along the tops. You have this wonderful combination of deep cool green gradually becoming very warm and light in bands across the top. In the winter months I see lots of red in the trunks as well as purple and blue.The color palette in Florida during the winter is lush and subtle. WONDERFUL!!!

I'm teaching a plein air workshop in February of 2013 during the best part of the winter tree palette season here in north Florida. HERE I have nine spaces left.

Thursday, September 20, 2012

Serenity oak


Notes From My Tree Painting Journal

This is my second painting of this beautiful tree. I sold the first one recently, so now I get to study it some more. This one is 24x24 inches on stretched canvas. This is a difficult tree to paint. There are so many parts to the trunk and the splits are quite low.

My Palette:

cad orange
cad yellow medium
cad lemon yellow
mars black
titanium white
ultramarine blue
trans red iron oxide

It was great fun and it took me three sessions to finish it.

Tuesday, September 4, 2012

Live Oak Trees


Notes From my Tree Painting Journal

This is a scene from beautiful Fair Oaks in Evinston Florida. I love the way the branches dip down from the tree forming lovely arches. Sometimes the canopies run along the ground from these low branches. They form natural portals.

This painting is 20x24 inches, oil on canvas.

The palette:

cad lemon yellow
Naples yellow light
ub
thalo blue red shade
cad red light
ivory black
titanium white

I really enjoyed doing this painting.

Wednesday, August 29, 2012

Tree Workshop,tree studies



Notes From My Tree Journal

I've been quite busy getting my materials ready for my Tree Workshop in November. The workshop is full but I'm starting a list for a second group for another workshop.  We will be focusing on Pines/Live Oaks/Bald Cypress/Palms for this workshop. They are all indigenous to this part of Florida and I love to paint them. I've been doing a lot of miniature tree studies this month. This is how I teach myself to paint. I do hundreds of these studies on various subjects year round. Here is a sample:


I made myself a template out of index paper. I buy the pads of canvas paper and tear off the binding. I cut the sheets into 8.5x11 and run them through my printer to copy the template onto the sheets. I do the sheet in one piece and then cut the paintings out using the guidelines. You could use oils, but for these I use acrylics. Here is a tip. Use glazing medium with a pale color tint to cover the sheet before you paint. The canvas paper will take the paint much easier when you are ready to paint. I like to use toned canvas. You can use any color your prefer. I usually use cad red light.